Appropriation or Appreciation? - A conversation with Jesmina Zeliang.

In my recent conversation with Jesmina, I had to convey that due to budget and time constraints, I was considering not making the furniture structure in Nagaland but rather in my hometown using my own resources. Jesmina expressed concerns about the potential disconnect between my graduation project and its connection to our cultural roots, emphasizing the importance of genuine engagement and respect for artisans. She pointed out the risk of cultural misappropriation if the project strayed too far from its origins. In response, I proposed a better strategy, suggesting that I come to Nagaland for a week to make the smaller piece (the ottoman). This approach ensured that the primary craftsmanship remains with the artisans in Nagaland. Regarding concerns about cultural appropriation, I think involving another set of craftsmen from a different community could be cultural appropriation but I believe replicating the research and hard work of the initial piece with your guidance is a genuine form of appreciation.

However, upon reviewing my technical drawings, Jesmina realized that only the woven portion of the seat required physical work in Nagaland, while the structure itself was a simpler design that could be made elsewhere. Given that her artisans' expertise primarily lay in bamboo and cane, and I intended to use wood for the structure, Jesmina agreed that it made more practical sense for me to produce the pieces in Indore, my hometown.

My response -

Her Message -